Posts Tagged ‘home’

OthelloMacbeth

What happens when you cut Shakespeare to an hour and twenty minutes? Twice? And try to link two plays together? This is what OthelloMacbeth at HOME does. The design dominates Othello, stainless steel panels on the rear wall coming far forward so that the action is pushed right to the front of the stage. This… Continue Reading →

The Fishermen

I make no secret of my general contempt for stage adaptations of books, with their clunky drama shoehorned into condensed narrative. Yet I have talked before about why I think storytelling, as opposed to drama/conflict driven performances, can produce more effective theatre. The Fishermen proves once and for all that a clever adaptation of a… Continue Reading →

Minefield

Have you killed anyone? What does it take to pull the trigger? What happens after? Minefield, from LIFT and performed at HOME as part of the ¡Viva! Spanish/Latin American Festival explores the effect of the Falklands War/Guerra del Atlántico Sur on three British and three Argentine soldiers. Wars live long in our memories. I visited Ushuaia… Continue Reading →

Real Magic

Things I am thinking about Real Magic from Forced Entertainment at HOME as I sit in the bath afterwards: The use of repetition in theatre – in this case the endless repetition of a short scene involving the guessing of one of three words that one of the three performers is thinking – can work…. Continue Reading →

Uncle Vanya

There is a scene in HOME’s Uncle Vanya where Yelena, the young wife of an aged professor, holds Uncle Vanya’s hand in a very intimate way, suggesting emotional closeness.  He tells her that he loves her, but she pulls her hand away, offended.  Uncle Vanya does not know how to break the barriers in his mind… Continue Reading →