Posts Under ‘Large Theatre’ Category

Making Three Sisters Relevant for Today

I can’t say I’m a Chekhov fan. Yes, I loved Uncle Vanya at HOME last year, which I described as ‘a thing of sparse beauty’. But I struggle to see what many of the plays mean to us today. My copy of Chekhov’s ‘Five Plays’ has sat on the bookshelf for five years unthumbed. But… Continue Reading →

Minefield

Have you killed anyone? What does it take to pull the trigger? What happens after? Minefield, from LIFT and performed at HOME as part of the ¡Viva! Spanish/Latin American Festival explores the effect of the Falklands War/Guerra del Atlántico Sur on three British and three Argentine soldiers. Wars live long in our memories. I visited Ushuaia… Continue Reading →

Frankensteins

Two hundred years after writing, Mary Shelley’s Frankenstein appears to be more relevant today than at any other point. We are on the verge of creating beings in our image, whether through genetics, bioengineering or Artificial Intelligence. We will face the challenge over how to control our creations, just as Frankenstein did. And in a… Continue Reading →

Best of 2017

There is no question that there is now too much theatre in Manchester for one person to even start to cover.  Therefore, this list will always have omissions.  I like to think of this as my personal list.  Of course, I have the benefit of hindsight, which sometimes adds a new layer to a review… Continue Reading →

Real Magic

Things I am thinking about Real Magic from Forced Entertainment at HOME as I sit in the bath afterwards: The use of repetition in theatre – in this case the endless repetition of a short scene involving the guessing of one of three words that one of the three performers is thinking – can work…. Continue Reading →