Making Three Sisters Relevant for Today

I can’t say I’m a Chekhov fan. Yes, I loved Uncle Vanya at HOME last year, which I described as ‘a thing of sparse beauty’. But I struggle to see what many of the plays mean to us today. My copy of Chekhov’s ‘Five Plays’ has sat on the bookshelf for five years unthumbed. But… Continue Reading →

Minefield

Have you killed anyone? What does it take to pull the trigger? What happens after? Minefield, from LIFT and performed at HOME as part of the ¡Viva! Spanish/Latin American Festival explores the effect of the Falklands War/Guerra del Atlántico Sur on three British and three Argentine soldiers. Wars live long in our memories. I visited Ushuaia… Continue Reading →

Frankensteins

Two hundred years after writing, Mary Shelley’s Frankenstein appears to be more relevant today than at any other point. We are on the verge of creating beings in our image, whether through genetics, bioengineering or Artificial Intelligence. We will face the challenge over how to control our creations, just as Frankenstein did. And in a… Continue Reading →

Handlooms

Handlooms is set in a sari shop on Wilmslow Road, Manchester, which is going through a crisis as a result of changing tastes. The saris on display and at the heart of the performance are beautiful handmade works of art – costing over £1,000 each. When you touch the material and see the unique designs… Continue Reading →

She Bangs the Drums

This review was first published on the MTA site on 9 March 2018. Contact Young Company (CYC) have collaborated with many established theatre makers over the years to develop fascinating shows, predominantly of a devised nature. Current production She Bangs the Drums is directed by  Louise Mothersole and Rebecca Biscuit of Sh!t Theatre (Letters to… Continue Reading →